Main Article Content

Abstract

This study aimed to characterize the Pinilisa dance using the dance protocol as performed by a local community in Isabela and to create instructional materials as well as to improve the Pinilisa dance movement.  Using ethnographic and narrative inquiry in the data gathering through a Focus Group Discussion (FGD), observation, structured interview guide, and documentation, this study documented, notated, and analyzed the Pinilisa dance as a reflection of the Ilocano culture, as well as the costumes, props, accessories, movement or dance pattern, dance notation, staging (formation) and performance, music notation, and sequencing to facilitate the development of supplemental instructional materials in teaching folk dance in Grade 7 Physical Education subject. This study's key informants were the residents and government employees of Jones, Isabela who are knowledgeable about the Pinilisa dance, including the municipal vice-mayor, municipal administrator, tourism officer, festival organizer, selected Local Government Units (LGUs), choreographers, and PE teachers. This study revealed that Pinilisa dance is an expression of Ilocano culture emphasizing five aspects: political, social, physical, economic, and religious. It is a dance that celebrates the abundant harvest of Pinilisa rice, from planting and harvesting to selling, honoring its people and expressing gratitude for the year's abundant crop. It embodies the Ilocano values of being hard-working, industrious, family-oriented, bayanihan, cheerful, resilient, and God-fearing, which reflects the people of Jones. The instructional materials in which the documented Pinilisa dance is an input for significant use in PE class in Grade 7, particularly in teaching folk dance. It is an additional instrument for uplifting, preserving, and promoting Jones, Isabela's cultural heritage.


 

Article Details

How to Cite
Guado, M. J. D. (2024). Characterization of Pinilisa Dance Using the Dance Protocol as Performed by A Local Community in Isabela . International Journal of Multidisciplinary: Applied Business and Education Research, 5(5), 1601-1611. https://doi.org/10.11594/ijmaber.05.05.12

References

Alla, L. B., Arnawa, K., Adnyana, M., Sukanteri, N., Raka, D., & Suryana, M. (2022, June 28). Festival of Conner, Apayao as village tourist farm attraction. Retrieved from file:///C:/Users/Acer/OneDrive/Documents/Thesis%20(MAED-PE)/RRL/84437-817-284660-2-10-20220628.pdf
Asuncion, R. L., & Labaguis, G. S. (2022, Octo-ber 4). Unraveling the local folk dances in Marinduque. International Journal of Arts, Sciences and Education, 3(4), 232-242. Retrieved from https://ijase.org/index.php/ijase/article/download/210/170
Beruin, L. (2021, June 16). Pandemic festival celebration: Some reflections for Buha-yani Festival. Academia Letters. doi:10.20935/AL1027
Bhandari, P. (2022, January 3). Triangulation in research: Guide, types, examples. Re-trieved from Scribbr: https://www.scribbr.com/methodology/triangulation/
Dawadi, S. (2020, December 13). Thematic analysis approach: A step-by-step guide for ELT research practitioners. Journal of NELTA, 25(1-2), 62-71. Retrieved from https://files.eric.ed.gov/fulltext/ED612353.pdf
Fernando, C. (2021, May 23). Philippine cul-ture: What makes the Filipinos different from the rest of the world. Retrieved from Scribd: https://www.scribd.com/document/514887623/Philippine-Culture
Georgios, L. (2018, January). The transfor-mation of traditional dance from its first to its second existence: The effectiveness of music-movement education and crea-tive dance in the preservation of our cul-tural heritage. Journal of Education and Training Studies, 6(1). doi: https://doi.org/10.11114/jets.v6i1.2879
Haguisan, I. A., Ituriaga, C. B., Arinal, R. T., de Guzman, J. D., Lopez, X. G., Sanz, D. S., & Vinson, C. M. (2019, January 1). Maradula festival: The experiences of the host community in festival management. Phil-ippine Journal of Hospitality and Tour-ism, 1(1), 136-154. Retrieved from https://lcc.edu.ph/wp-content/uploads/2023/01/07-Maradula-Festival-The-Experiences-of-the-Host-Community-in-Festival-Mgt..pdf
Magpantay, J. H. (2018, September 4). Socio-Cultural Effects of Festivals in Batangas Province, Philippines. Retrieved from https://www.academia.edu/42457546/Socio_Cultural_Effects_of_Festivals_in_Batangas_Province_Philippines
Mendoza, T. J., Benitez, D. G., & Peralta, A. D. (2019, January 1). The Buriring Festival Celebration: Its Roots, Challenges En-countered and Impacts. Retrieved from https://lcc.edu.ph/wp-content/uploads/2023/01/05-The-Buriring-Festival-Celebration-Its-Roots-Challenges-Encountered-Impacts.pdf
Oligo, J. P., Smith, J. P., & Quinto, J. B. (2022, February 27). Albubo festival as a tool to enhance community engagement of Bu-guias, Benguet residents. International Journal of Humanities, Literature and Arts, 5(1), 11-23. doi: https://www.doi.org/10.21744/ijhla.v5n1.1845.
Punongbayan, A. B. (2019, September 30). An assessment of the Kambingan Festival of Tuy, Batangas: Its impact to the tourism industry and culture of Tuynians. As-cendens Asia Journal of Multidisciplinary Research Abstracts, 3(20). Retrieved from https://www.journalcra.com/sites/default/files/issue-pdf/32293.pdf
Santos, M. F. (2019). Philippine folk dances: A story of a nation. Journal of English Stud-ies and Comparative Literature, 18(1). Retrieved from https://journals.upd.edu.ph/index.php/jescl/article/viewFile/6884/5971
Sutopo, J. (2020, February). Dance gesture recognition using space component and effort component of laban movement analysis. International Journal of Scien-tific & Technology Research, 9(2), 3389-3394. Retrieved from http://eprints.uty.ac.id/12504/1/file.pdf
Tolentino, J. C. (2020, August 10). Unravel from the Influences: Establishing the Identity of the Pinukpúk Festival Dance. Retrieved from https://www.researchgate.net/publication/344198307_Unravel_from_the_Influences_Establishing_the_Identity_of_the_Pinukpuk_Festival_Dance
Tolentino, J. C., Miclat, C. K., & Bansil, J. C. (2020, August 10). Unravel from the In-fluences: Establishing the Identity of the Pinukpúk Festival Dance. Asia Pacific Journal of Multidisciplinary Research. Re-trieved February 21, 2022, from https://www.researchgate.net/publication/344198307_Unravel_from_the_Influences_Establishing_the_Identity_of_the_Pinukpuk_Festival_Dance
Vallbona, M. C., & Richards, G. (2018, May 24). The meaning of cultural festivals stake-holder perspectives in Catalunya. Re-trieved from http://dx.doi.org/10.1080/10286630701201830
Villones, R. V. (2019). Contextualizing Local Dance Festival on the Lifestyle of Ne-grense Sugarcane Plantation Workers. Retrieved from https://www.ijrhss.org/papers/v6-i10/1.pdf
Villones, R. V. (2020, August 11). Negros Pa-naad Festival Dances: A Reflection of Ne-grenses’ Cultural Identity. Retrieved from file:///C:/Users/Acer/OneDrive/Documents/Thesis%20(MAED-PE)/RRL/APJMR-2020.8.3.03.02.pdf
Zhanga, C. X. (2019, January 15). National identity and cultural festivals in postcolo-nial destinations. Retrieved from https://www.researchgate.net/publication/330838432_National_identity_and_cultu-ral_festivals_in_postcolonial_destinations.